Posts Tagged ‘copyright’

Judge (and bloggers) want answers about copyright mill

Ken at Popehat and Mike Masnick at TechDirt are on the case of Prenda Law, which is in the business of monetizing low-value copyrights to adult entertainment properties. The story, which recently resulted in the filing of defamation suits against Prenda critics, is highly convoluted, so I recommend scrolling down to earlier posts in the series (such as this one by Ken).

“Holmes scholar files suit to put Sherlock unambiguously into the public domain”

Some stories written by Arthur Conan Doyle about Sherlock Holmes and his associates are still under U.S. copyright, but most (50 of them) are public domain. The Conan Doyle estate, however, has made royalty rumblings over the use of the characters in new imaginative works, and one author has now gone to federal court seeking a ruling that the characters and their overall setting (as distinct, presumably, from elements specific to the still-copyrighted stories) are fair game for the makers of new books and films. [Cory Doctorow, BoingBoing]

Technology and intellectual property roundup

  • The term “space marine” dates way back in sci-fi writing, but Games Workshop says it’s now a trademark [Popehat] “Site plagiarizes blog posts, then files DMCA takedown on originals” [Ars Technica; related, Popehat]
  • D.C. suburban school district: “Prince George’s considers copyright policy that takes ownership of students’ work” [WaPo]
  • New book Copyright Unbalanced [Jerry Brito, ed.; Tom Palmer/Reason, David Post/Volokh] “Copyright, Property Rights, and the Free Market” [Adam Mossoff, TotM]
  • Neither doll left standing: “After Long Fight, Bratz Case Ends in Zero Damages” [The Recorder]
  • “Podcasting patent troll” [Gerard Magliocca, Concur Op]
  • “The EU-funded plan to stick a ‘flag this as terrorism site’ button on your browser” [Ars Technica]
  • “The Most Ridiculous Law of 2013 (So Far): It Is Now a Crime to Unlock Your Smartphone” [Derek Khanna, Atlantic]

“What Could Have Entered the Public Domain on January 1, 2013?”

The “public domain” isn’t just some hedonistic collective consumption good, but a vital resource for creators; thus Disney was able to base its golden-age animation features on literary properties and tropes that it could freely transform without permission. Among the properties we could have started freely transforming and remixing in this country had Congress not unilaterally and drastically extended copyright lengths: The King and I, Ian Fleming’s Diamonds Are Forever, Long Day’s Journey Into Night, My Fair Lady, and the novel 101 Dalmatians. [Duke Center for the Study of the Public Domain via BB, similar, related]

IP and technology roundup

Copyright and D.C. lobbying: that was fast

The House Republican Study Committee calls for reconsideration of over-restrictive copyright law, then un-calls for it a day later [TechDirt, rueful update; Alex Tabarrok]

P.S. And check out this upcoming Dec. 6 Cato discussion of the newly published Copyright Unbalanced: From Incentive To Excess (Mercatus Center; Jerry Brito, ed.)

Woody Allen movie quotes William Faulkner, Faulkner estate sues

Sony Pictures has decried the suit as frivolous:

In Midnight In Paris, Gil Pender, the disillusioned Hollywood screenwriter played by Owen Wilson, says, “the past is not dead. Actually, it’s not even past. You know who said that? Faulkner. And he was right. And I met him, too. I ran into him at a dinner party.” The rightsholder[s] say the slightly paraphrased quote could “deceive the infringing film’s viewers as to a perceived affiliation, connection or association between William Faulkner and his works, on the one hand, and Sony, on the other hand.”

David Olson, a professor of law at Boston College (and no relation), disputed the notion that a license was needed just because the movie was intended to make a profit. “Commercial use isn’t presumptively unfair” he said. He said no one watches “Midnight in Paris” as a substitute for buying “Requiem for a Nun.” [Deadline.com, Washington Post]

P.S. “Is the complaint written in Faulknerese?” [@jslubinski]

Intellectual property roundup

  • “The patent, used as a sword” [NY Times, Flowing Data]
  • Default judgment over 528 songs against contumacious defendant: “Website ordered to pay $6.6 million for posting song lyrics” [NLJ]
  • “Monsanto Seed Patent Case Gets U.S. Supreme Court Review” [Bloomberg Business Week]
  • New book tells story of Ira Arnstein, whose frivolous suits against Cole Porter, Irving Berlin et al set important precedent [WSJ]
  • “Do it ‘on the Internet,’ get a patent, sue an industry — it still works” [Joe Mullin, Ars Technica]
  • “Court rules book scanning is fair use, suggesting Google Books victory” [Timothy Lee, ArsTechnica]

October 8 roundup

  • Karma in Carmichael: serial Sacramento-area filer of ADA suits Scott Johnson, often chronicled in this space, hit by sex-harass suit by four former female employees, with avert-your-eyes details [Sac Bee; News10, autoplays] One of Johnson’s suits, over a counter that was too high, recently helped close Ford’s Real Hamburgers, a 50-year-old establishment. [KTXL/The Blaze]
  • Fifth Circuit reverses decision holding Feds liable for Katrina flood damages [Reuters]
  • “Your right to resell your own stuff is in peril”: SCOTUS takes up first-sale doctrine in copyright law [Jennifer Waters, MarketWatch on Kirtsaeng v. John Wiley & Sons]
  • Rubber room redux: “New York Teacher Live-Streams $75,000 Do-Nothing Job” [Lachlan Markay, Heritage] Teacher charged with hiring hitman to kill colleague should have been fired decade ago [Mike Riggs]
  • “George Zimmerman sues NBC for editing 911 audio to make him sound racist” [Jim Treacher, Daily Caller]
  • Prof. Mark J. Perry has moved his indispensable Carpe Diem economics/policy blog in-house to AEI;
  • New York will require newly licensed lawyers to do pro bono [WSJ, Scott Greenfield, Legal Ethics Forum]