Posts Tagged ‘music and musicians’

Copyright music takedowns

“Sony Music Entertainment has been forced to abandon its claim that it owned 47 seconds of video of musician James Rhodes using his own piano to play music written by Johann Sebastian Bach.” After Rhodes posted the video to Facebook, Sony sent a takedown notice saying that the performance “matches 47 seconds of audio” owned by Sony. Match-detecting algorithms have become commonplace in the copyright takedown field; in this case, Sony backed down after Rhodes’s tweet about the situation got considerable attention. [Timothy Lee, ArsTechnica]

Sony does own the rights to the performances of important Bach interpreters such as Glenn Gould, so it is possible that a performance influenced by Gould’s would be especially likely to trip a similarity algorithm. But it gets worse. Last year an Australian music teacher named Sebastian Tomczak “posted on YouTube a 10-hour recording of white noise as an experiment” (in sound perception, not copyright practice) and “within days, the upload had five different copyright claims filed against it. All five would allow continued use of the material, the notices explained, if Tomczak allowed the upload to be “monetized,” meaning accompanied by advertisements from which the claimants would get a share.” [Joseph Bottum, Free Beacon]

And finally, from my own recent experience: a comment from a local performance group’s Facebook page about how a recording of a sing-through of Gilbert & Sullivan Utopia, Ltd. triggered a takedown based on supposed copying of an entirely different work, Rossini’s William Tell. The passage that showed too much similarity? The audience applause!

“Senate passes copyright bill to end 140-year protection for old songs”

The Senate has now unanimously passed its own version of the Music Modernization Act, a bill intended to enable clearinghouse payment by those streaming, performing, or otherwise using older musical works. Under a House-passed bill more favorable toward owners of very old material, “a song recorded in 1927 would effectively get 140 years of protection, vastly longer than the 95 years current law gives to books, movies, and other works published around the same time.” [Timothy Lee, ArsTechnica]

September 5 roundup

  • Event barns booming as wedding venues, but some owners of traditional banquet halls want them to be subject to heavier regulation, as by requiring use of licensed bartenders [Stephanie Morse, Milwaukee Journal-Sentinel]
  • Protectionism and smuggling in ancien regime France: “Before Drug Prohibition, There Was the War on Calico” [Virginia Postrel]
  • Thread unpacks “Big Ag bad, family farms good” platitudes [Sarah Taber]
  • “An Oklahoma judge has agreed to resign after he was accused of using his contempt powers to jail people for infractions such as leaving sunflower seeds in his courtroom and talking in court” [ABA Journal]
  • Update: North Carolina gerrymandering plaintiffs back off, concede impracticality of using new maps in time for upcoming election [Robert Barnes, Washington Post, earlier]
  • “Aretha Franklin Died Without a Will, Bequeathing Estate Issues To Her Heirs” [Caron/TaxProf]

July 18 roundup

April 25 roundup

  • New suits claim lack of web accessibility features in online employment applications violates California’s ADA equivalent law [Kristina M. Launey & Myra Villamor, Seyfarth Shaw]
  • Sugar in candy? Who knew? [John O’Brien and John Breslin, Legal Newsline/Forbes] Slack-fill lawsuits reveal nonfunctional void within class-action industry [Baylen Linnekin]
  • Musical instruments in court: the stories behind six famous gear disputes [Jay Laughton, Reverb last year]
  • “Secret of David Copperfield’s signature trick revealed in slip-and-fall suit by audience volunteer” [ABA Journal]
  • Given Congressional presence in area, California not entitled to use foie gras regulation to impose its views of duck and goose husbandry on producers outside state [Ilya Shapiro and Reilly Stephens on Cato cert amicus in Association des Eleveurs de Canards et d’Oies du Quebec v. Becerra]
  • “The earliest versions of the “People’s Court” TV show used law professors as the judges. They were picked because they were articulate and looked like judges but weren’t state bar members; for bar members, being on the show was seen as unlawful advertising.” [@OrinKerr linking Roger M. Grace, Metropolitan News-Enterprise in 2003]

UK judge: violist can pursue hearing-loss claim over loud Wagner rendition

Noting that Britain’s 2006 Noise at Work Regulations “recognize no distinction as between a factory and an opera house,” a British judge has approved the claim of a violist for the Royal Opera House Covent Garden who says he suffered hearing loss from the loudness of the close-by brass section during a rehearsal of Die Walküre, part of Wagner’s Ring Cycle. Damages are yet to be determined; he is seeking £750,000. [Mark Savage, BBC] The opera house argued that it had gone as far as a reasonable employer to reduce the risks of loudness, including issuing ear protection which he was using, and that his condition “had in fact been the result of his coincidentally developing Meniere’s disease at around the same time.” [Damien Gayle, Guardian] Earlier on the United Kingdom regulations on sound in the workplace here (police dogs’ barking, with links to many other posts), etc., and related here and here on European orchestra noise regs.

Concert booker not liable for patron’s injury

“The Alabama Supreme Court says a man can’t go forward with his lawsuit against a company involved in booking a death metal concert where he was injured.” The plaintiff said he was thrown to the ground during the Mobile event and suffered serious spinal injuries. “The decision says ICM Partners received a $250 commission for booking the band but had no other involvement.” [Insurance Journal; compare successful claims against advertisers, broadcasters, and others following the 2003 Rhode Island Station Nightclub fire]

Environment roundup