Posts Tagged ‘copyright’

March 6 roundup

  • A longtime progressive objects to the diversity pledge (applying to personal and professional lives alike) soon to be expected of Ontario lawyers and paralegals as a condition of their licenses [Murray Klippenstein with Bruce Pardy, Quillette]
  • More on Cato’s First Amendment challenge to SEC gag-order settlements [Cato Daily Podcast with Clark Neily, Robert McNamara, and Caleb Brown]
  • “Federal judge sanctions lead lawyer in Roundup trial for opening statement ‘misconduct'” [Debra Cassens Weiss, ABA Journal]
  • Unanimous high court (Sotomayor concurring in judgment) rules Ninth Circuit may not count Judge Stephen Reinhardt’s vote in decisions issued after his decease: “Federal Judges Are Appointed for Life, Not for Eternity” [Eugene Volokh]
  • Copyright law firm has “a pattern of making aggressive and, in many cases, unsupportable demands” for payment [Paul Levy, CL&P]
  • “Genealogists shouldn’t have to become technophobes,” yet to spit in a cup is now to enter oneself and one’s relatives intoto a genetic panopticon for the benefit of law enforcement [Matthew Feeney, Real Clear Policy]

“Community Theaters Kill ‘Mockingbird’ Productions After Lawsuit Threat”

Atticus Grinch: “From Massachusetts to Utah, small community theater productions of To Kill a Mockingbird are being shut down under threat of a lawsuit by the producer of the new Broadway production.

“It doesn’t matter that the new version, penned by Aaron Sorkin, is completely different from the Christopher Sergel play that’s been performed by high school students and community theater actors for decades. Nor does it matter that the community theaters paid a licensing fee of at least $100 per performance to the Dramatic Publishing Company, which owns the rights to the earlier version of the play.

“What matters, lawyers for Broadway producer Scott Rudin say, is that according to the contract between Dramatic and the Harper Lee estate, most amateur performances can’t proceed now that a new version of the story is on Broadway.” [Matthew S. Schwartz, NPR]

January 16 roundup

  • The two new heads of the judiciary committees in the Pennsylvania legislature are nonlawyers, and the legal community appears to be fine with that [Max Mitchell, Legal Intelligencer]
  • Long after his downfall in one of the worst U.S. legal scandals in years, Stan Chesley was still listed as holding an honored position at a major charity until a reporter started calling [Josh Nathan-Kazis, Forward, I’m quoted; update (Chesley’s name removed)]
  • National security restrictions form an important part of regulatory practice these days for international business, discussed at a Federalist Society National Lawyers Convention panel with William J. Haynes II, Timothy Keeler, Randal Milch, Donald Rosenberg, and moderator Eric J. Kadel, Jr.;
  • How seeking government intervention backfired on Silicon Valley [Drew Clark, Cato Policy Report]
  • Are Baltimore schools underfunded? tales of the gun buyback, local adoption of Daubert, and more in my latest Maryland policy roundup [Free State Notes; plus redistricting updates]
  • “Despite Losing Its Copyright Case, The State Of Georgia Still Trying To Stop Carl Malamud From Posting Its Laws” [Mike Masnick, TechDirt, earlier]

Works from 1923 finally enter public domain

“No published works have entered our public domain since 1998.” Why the drought? “Works from 1923 were set to go into the public domain in 1999, after a 75-year copyright term. But in 1998 Congress hit a two-decade pause button and extended their copyright term for 20 years, giving works published between 1923 and 1977 an expanded term of 95 years.” Works from 1923 that became publicly available this week include (silent) films Safety Last, The Ten Commandments, and Our Hospitality, various novels by P.G. Wodehouse, Agatha Christie, Aldous Huxley, and Virginia Woolf, musical compositions Who’s Sorry Now, Charleston, and Yes, We Have No Bananas, and Robert Frost’s poem “Stopping By Woods On a Snowy Evening.” [Center for the Study of the Public Domain, Duke Law] “And assuming Congress doesn’t interfere, more works will fall into the public domain each January from now on.” Among those in the next few years: Gershwin’s Rhapsody in Blue and Fitzgerald’s The Great Gatsby. [Timothy Lee, ArsTechnica; link fixed now] Earlier here, here, and here; given shifts in public opinion, trade associations for rights holders did not attempt to pass another extension this time.

Judge Lamberth blasts copyright lawsuit mill

“A federal judge in Washington brought the hammer down on uber-litigious Fox Rothschild client Strike 3 Holdings, calling it a copyright troll that ‘treats this court not as a citadel of justice, but as an ATM.’… ‘Armed with hundreds of cut-and-pasted complaints and boilerplate discovery motions, Strike 3 floods this courthouse (and others around the country) with lawsuits smacking of extortion. It treats this Court not as a citadel of justice, but as an ATM.” Lamberth goes on to say his court declines “to oversee a high-tech shakedown,” and adds much colorful detail about the plaintiffs’ methods. Los Angeles-based Fox Rothschild partner Lincoln Bandlow, who is said to coordinate the Strike 3 Holdings campaign, said that an appeals court would “correct this anomalous decision.” [Roy Strom, American Lawyer] Earlier on the Prenda Law saga.

November 28 roundup

  • Georgia woman jailed for three months after field drug test misidentifies contents of plastic bag in her car, which she had told disbelieving officers contained blue cotton candy [WMAZ] Related: Georgia “Drug Recognition Expert” officers sometimes arrest drivers who are sober [Brendan Keefe and Michael King, WMAZ in January]
  • “What I call the four forces of the regulatory state — regulation by administration, prosecution, and litigation; and progressive anti-federalism—operate mostly independently of Congress, notwithstanding the legislative branch’s constitutional power to ‘regulate Commerce … among the several States.'” [Jim Copland, City Journal]
  • Rights of associational privacy: Bradley Smith of the Institute for Free Speech comments on the ongoing relevance on the 60th anniversary of NAACP v. Alabama [Cato Daily Podcast with Brad Smith and Caleb Brown]
  • “If you’ve flown on a major airline within the past 7 years, you might be cashing in” although the settlement website admits it’s “possible that ticket buyers will never get any money from the lawsuit” owing to fees and expenses [KMBC]
  • To argue for freedom, sometimes it makes sense to argue for things other than freedom [Jonathan Rauch on same-sex marriage and medical marijuana controversies, quotes me; David Henderson/EconLib]
  • “The Eleventh Circuit takes a tour through the history of copyright and the nature of authorship in exploring whether the state of Georgia can assert copyright in its annotated state laws and thereby prevent a nonprofit from making them available for free online. (It can’t.)” [John Kenneth Ross, IJ “Short Circuit,” on Code Revision Commission v. Public.Resource.Org]

Copyright music takedowns

“Sony Music Entertainment has been forced to abandon its claim that it owned 47 seconds of video of musician James Rhodes using his own piano to play music written by Johann Sebastian Bach.” After Rhodes posted the video to Facebook, Sony sent a takedown notice saying that the performance “matches 47 seconds of audio” owned by Sony. Match-detecting algorithms have become commonplace in the copyright takedown field; in this case, Sony backed down after Rhodes’s tweet about the situation got considerable attention. [Timothy Lee, ArsTechnica]

Sony does own the rights to the performances of important Bach interpreters such as Glenn Gould, so it is possible that a performance influenced by Gould’s would be especially likely to trip a similarity algorithm. But it gets worse. Last year an Australian music teacher named Sebastian Tomczak “posted on YouTube a 10-hour recording of white noise as an experiment” (in sound perception, not copyright practice) and “within days, the upload had five different copyright claims filed against it. All five would allow continued use of the material, the notices explained, if Tomczak allowed the upload to be “monetized,” meaning accompanied by advertisements from which the claimants would get a share.” [Joseph Bottum, Free Beacon]

And finally, from my own recent experience: a comment from a local performance group’s Facebook page about how a recording of a sing-through of Gilbert & Sullivan Utopia, Ltd. triggered a takedown based on supposed copying of an entirely different work, Rossini’s William Tell. The passage that showed too much similarity? The audience applause!

October 10 roundup

  • “Heisman Trophy People Sue HeismanWatch For Using Images Of The Trophy And Stating Its Name” [Timothy Geigner, TechDirt]
  • At elite law schools, the days when a centrist liberal like Elena Kagan could offer a welcome to Federalist Society types are fast drawing to a close, writes Reihan Salam [The Atlantic]
  • Being able to link to federal court cases and legal materials would be huge: legislation from Rep. Doug Collins (R-Ga.) “would require that the courts make PACER documents available for download free of charge” [Timothy Lee, ArsTechnica]
  • “UPDATE: Judge Rules Province Has No Duty to Recognize Bigfoot” [Kevin Underhill, Lowering the Bar, earlier]
  • First state with such a law: “California governor signs bill banning sale of animal-tested cosmetics” [John Bowden, The Hill]
  • North Carolina bar says lawyer “defrauded, deceived and embezzled funds from two mentally disabled clients who were declared innocent after spending 31 years in prison” [Joseph Neff, Marshall Project]